This paper examines eschatological and revelatory subtexts in "Apocalypse Now" and "Natural Born Killers". "Apocalypse Now" documents an inward journey, into super-ego run wild. Natural Born Killers, in contrast, is a trip into the heart of American society. Ultimately, Natural Born Killers, is both more immediate and more pessimistic than Apocalypse Now. 8 pgs, bibliography lists 2 sources.